I'm in two minds about this one. The sensible option would be to go with the images I've taken through car windows over the years... in fact, come to think of it, some of the images of Slochd (a mountain on the way to Inverness...sadly, one you have to drive up/round) would be ideal. And there are some more recent images taken in a traffic jam (Norfolk doesn't usually do traffic jams, but it was summer and there were tourists...), of fields seen through the hedgerows and trees at the edge of the road.
But then there's the intangible option. I wrote a dissertation in Russian about the translation of Burns into Russian. I wrote that reading a translation is like looking through a window; you can see what's going on, but there are elements of the action that you can't experience, because you're held away from it by the glass. To be honest, I have no idea how to approach that particular idea, but it seems to be lurking, anyway. Perhaps I'll go with Slochd, and take it from there...
