Architextur - and an introduction

It was just a short time ago that I became a member of this group ... and when I read about the theme that was due on Feb. 24th, I had to grin. Because - I had already done a quilt to that theme! About a year ago, and it measures about 1 m square.

"Architextur" was the challenge of the MainQuiltFestival in 2011. The quilt was due Dec 2010, and I was late, as I'm quite often. The quilts were not allowed to be shown before the exhibition, so I worked on it secretly and blogged only little bits of information. In the end - that quilt never made it to the exhibition, because I messed up, big time. DH and me were able to save it, so at least it became hang-able. It now lives in our office /guest room in our home.

This trainstation was the inspiration for the quilt. I commute to work every day, so I see this building quite often. The fabrics are hand-dyed, and I transferred surface textures from different parts of the station with paintsticks. As our station is an pretty old station, you can find lots of different patterns - I had fun, and was even joined by a little guy who helped out ;-))

The piecing of the quilt included some troubles, but I was able to solve them. I started quilting the top in the fine light lines, and everything was well. But (you knew there would be a but, don't you?) - than I started to quilt the dark strips. I wanted them to resemble wood ... and I did dense quilting ... more like "intense machine stitching" ... and when I realized that my quilt was now happily waving at me, it was too late. So, no quilt of mine at that show - but by pulling it taut over stretchers, it did not go to waste.

Ok - now some information about me. I live in the southern part of Germany with my husband and two cats. English is not my first language, so I might make mistakes ... sorry for this !! When I'm not working for a paycheck, I'm chasing my creative dreams. Quilting became my creative outlet about 15 years ago. First I sewed traditional quilts, but soon those got a twist towards a more modern style. In 2009 I started art quilting - and I never looked back. Recently I realized why quilting became so important to me, the link to that specific blog post is here. And this is the link to my blog - I try to blog at least 3 times a week. I'm glad to be now a member of this group - looking forward to our next challenge!

I will lift up mine eyes

Well, here is my first offering to the group: "I will lift up mine eyes".  Thread sketching on silk.  A3 size.
I am not really religious, but as soon as I learnt that I would be able to participate in this theme of Architexture,  I immediately started thinking about soaring and elegant cathedral ceilings.  Perhaps I was sub-consciously influenced by Alain de Botton's concurrent visit to Australia to promote his most recent book. Over the past week, I have also had a work trip to Adelaide, known as Australia's City of Churches.  Perhaps it is because of the start of Lent, I am not sure, but I knew this is what I wanted to represent.

I had hoped to be able to take some photos in Adelaide, but sadly that wasn't to be, so the quilt is based on a photograph by Jan van der Crabben, accessed through Wikipedia, and covered by the "Creative Commons Attribution - Share Alike 2.0 Generic Licence" which allows the sharing or adaptation of images with attribution.  (The resulting work, such as this quilt, are then covered by the same licence)

The quilt was constructed with a base of white homespun and cotton batting, covered with layers of white, cream and pastel strips of different weights and textures of 100% silk, from the stash for eco-dying.  You can see this in the following photograph of the completed quilt, taken on top of the lightbox.

I really started this quilt without knowing how I would finish it.  I like the raw and uneven edges, but it did need something to give it a "full stop".  I discovered a scrap of the gold embroidered sari border, which seemed perfect but too small.  I actually went to our local fabric and trims shop to look for something similar, but when the shop assistant asked if I needed any help, the look on her face when I tried to explain I wanted something "ecclesiastical" made it all too clear I would have to modify and make do.

I mitered the 2 small strips I had, then ran off lines of gold thread the extend to the top and left borders - in keeping with the frayed edges throughout the quilt.  I actually think this is better than if I had been able to find enough trim to frame the whole image.
I finished the opposite corner a lace truncated cross - again discovered amid the stash of silks.

The rose window was no in the original photo, and I tried to emphasis its focal point by cutting some gold silk to roughly fit the shape - like looking at a glorious dawn or sunset through the window.
Wonderful and thought-provoking theme.  I am looking forward to the next one!

Archi-texture (Hundertwasser style)

This piece was started in a Sandra Meech workshop a few years ago. It was inspired by Hundertwasser and its a mixed-media piece.
The background is made up of painted papers, which I then free machine quilted. The binding is made of purple fabric, with blanket stitch used to add beading around the edges. I didn't manage to get an A3-sized piece done this time, instead it's A4-sized.

My Archi-texture piece

I seem to have been focussing a lot on bricks and stones and general architectural marks in my printing over the last few years so I decided to make a piece using some of the various fabrics. My plan at first was to do a sort of free-form log cabin but since I didn't bother to consult my C&G sample this went a bit awry rather quickly!

As one of my reasons for participating in this challenge is to try out new techniques, I decided to use freeform rotary cutting and also a self-facing rather than traditional binding (using Kathy Loomis' excellent tutorial.)

The fabrics are a mixture of cotton, silk dupion and another sort of silk which was a right pain. They had been printed at various times with a selection of fabric paints, thickened procion dyes, thickened natural dye extracts, and rust; mostly with thermofax screens and/or found objects.

One curious thing I have noticed about my design process over the last few months is that I seem to end up rotating most of my finished work 90 degrees before I'm happy with it, and this was no exception. I must have some sort of curious lopsided mind!! That's probably why most of my work ends up a strange shape as well!

An Archi-textural Urn

After one heck of a lot of deliberation and changes of mind I finally found the perfect design for me to produce something quick and effective for my Challenge piece.

I printed this section of the design onto Lutradur, placed fabric behind it which is from the Stonehenge Collection by Northcott, outlined the shapes with rayon thread then painted a light layer of puff paint on the raised sections before zapping with the heat gun.  And here's the result...

I couldn't capture the exact colours but they are more of a pale aqua, pale pink and grey.  I think it does look better in the flesh though!

Archi-texture

Don't look now but I'm actually here for this challenge's reveal.  See, I do stay home sometimes LOL
 

 I'll start from the end which is the piece I've reached by today's reveal date.  At the moment it's  called Archi-texture I as I've forgotten the name of the building that inspired it but it is all about decaying surfaces and is only one of the directions this challenge took my thoughts.

After enjoying the process of the Pojagi in the last challenge I was keen to carry on exploring layers and the idea of looking through. On a train journey from Cornwall I had plenty of time to let my mind wander and notes I made at the time include suggestions of monoprinting on cotton; building up layers of print on top; sponging; painting over stitched, quilted fabric, discharging, painting again; scribbled stitching.  As the train slowly approached London we passed a Macdonalds' with its iconic arched logo and that turned a light on.  Having recently seen Karen Turner's work I thought about layering fabrics over a textured basecloth and cutting the arches through to reveal the texture below.  I think that would have been a fun way to go but when I got home and started looking at my photos of texture and architecture I found an image I had taken in Leicester near the New Walk Museum of a very decaying building.

As you can now see the image at the top caught my imagination and I decided to explore that with surface design on fabric.

Using my own printed , dyed and discharged fabrics I cut and bonded the pieces to batting layering one or two sheers with text on them below the dyed net curtaining that forms the 3 neutral columns.  My free machining/quilting skills are distinctly lacking but I used a variety of stitching to describe the cracks that you might see as a building deteriorates.  The 'quilt' is A3 size and there is no binding, the backing was turned through and the edge closed with top stitching all round.

The beauty of this challenge, as with the preceding ones, is that it has opened my mind up to so many possibilities and so many ways to interpret the texture in architecture and I could and hopefully will carry on exploring for many months to come.  I am hoping that the next challenge will lead naturally into related areas of work and I still have to come back to how pojagi and archi-texture can come together. 

G'day

Hi, I'm Kathryn and thoroughly chuffed to join this group.  I am in my 50's, from Melbourne, Australia and a friend of Lisette's. I have been quilting since 1985, and if you laid my quilts out in chronological order, they would probably be a fair representation of the history of quilting over the past (almost) 3 decades.  At this point, my quilts tend to be quite representational, and I love free-motion quilting and thread-painting.
I have just begun to teach: I don't know whether to say professionally or formally, but let's just say that it will be recognized on my tax return!
It's a bit of a tight turnaround to meet Fridays deadline, but I love the challenge theme and know where I want to take it!  Hopefully I will have something more tangible to show by Friday!

Getting There - Slowly...

I have just layered up, at last, my piece for this challenge.  Over the last few months I've had a few (minor) health problems and then last week I sadly lost my dad...

I'm hoping to make the deadline, which is next Friday, so I might just do it.  Just one thing though - it's Journal sized (A4) and the reason for this is that it's a size I am most comfortable working with.  I hope that isn't a problem?  I think we agreed on A3 at one stage but to be honest, that's too large for me.

It's taken me hours of trawling through my photos to find a suitable design and there are lots I'd love to do until this particular one just jumped out at me and the ideas of how to portray it fell into place straight away.  Now all I have to do is transfer my ideas to the fabric...

Angela

From Sandra Wyman

I have health problems at the moment as a result of which I really have to cut down on what I do and let myself off the hook.  This means I am having to become ultra-selective, and unfortunately this in turn means that I need to resign from the group - a pity because I have enjoyed meeting the people here - not to mention enjoying all the beautiful work people have produced.

I'm sure the group will go from strength to strength - I hope so anyway!

THE STATE WE'RE IN

Better late than never with the added problem that the piece, like topsy, grew and grew.
The idea came from various sources as outlined in a previous post as well as being a continuation of a current theme.
My overall idea, was, and still is, the view through a wealthy person's window as exemplified by the lively coloured blocks whose random nature refers to the way bankers have gambled with our future. The view through has a background which is a laminated composite of part of a gravestone and poppies together with a poppy petal. I did this because Armistice Day this year was a once in a century 11,11,11,11 and I wanted to reference this with drawn crosses. The figures were used for further works and I liked them so they were put in here too. They represent my feelings about this summer's riots in our cities and this pervades the whole work. It is cheating a bit because it is really outside/outside but there is artistic licence. Anyway, a wealthy individual mght well have these 'wallpaper' blocks on his/her wall.
It is a long time since I used bought fabrics in a work to any degree but time constraints and a previous competition requirement brought me back to them. I thoroughly enjoyed choosing the myriad of colours and tones required for the random blocks but, as usual, struggled to find enough even from my enormous collection. I got addicted to the process of making these.
The colouring of the figures was experimental as I wanted to try out various watersoluble media on fabric which I worked on at our local art club practical evening. The group are nearly all conventional painters and were both bewildered and intrigued by what I was doing.
All in all, I am pleased with this although I did have my doubts at times. It still needs embellishing, quilting and finishing but I need to think about this.
May I suggest that members state the size of their work as this is quite important to our appreciation and visualising of it? Otherwise, we have no reference point. This piece is about 40in. wide by 20in. high. I did say it grew and grew. A full view and a close-up are shown below.

Cloudy Window and Admin Thoughts

Hi everyone,

How are you all? Please accept my apology as my challenge entry is running late. It's just that time of year and everything has demanded attention all at the same time. I know it's the same for all of us, so I just wanted to let you know why I've been a bit quiet this last month...or actually since the last challenge. (oh dear).

This is a really great group and the idea is an excellent one, losing any more members would really be such a shame so I am not leaving, but I am running behind at the moment.

I did want to take a moment to thank Marion for taking over admin whilst she did. Blogging looks really easy but it eats up a lot of time, is pretty thankless and the constant attention needed just to make things run smoothly is slavish. Obviously you can tell how much I love blogging! Actually I really do love blogging but I have so many troubles from my lack of computing skills that I really admire and appreciate anyone who can jump in and do it. It doesn't go unnoticed. So, thanks Marion.

As for us: well, I think the most pressing thing is getting the links right as some are still missing as well as getting the gallery up, including any sale options. Is anyone doing this?

It would also be really nice to have a group button so we can spread the word on our own blogs - again, I suppose we would have to decide on a symbol/design? And does anyone have any thoughts about a 'link within' bit beneath each posting? I think it would be a good idea as it throws up random posts that might be of interest to readers.

I know this may sound like a bit of a wish list, but there is such great stuff going on here that it would be great to get it some more exposure.

I can imagine that there might be some hesitancy from a capable (read: computer savvy) member due to concerns about doing things to the blog that other members might not like. I just want to say that I really don't mind about stylistic elements and if anyone Admins, I am happy for them to make executive descisions. I say this because it's something I feel!

Anyhow, I have gone on a bit here. Hopefully I can get back on track with my Challenge soon!

moon reflections: through the window

 here is my interpretation of through the window -  i tried a number of other ideas that just didn't work and ended up going with some small pieces i was puddling around with and it became something bigger.

each panel is a piece of linen sprayed with diluted black ink and stitched with silk thread. the moon centre was made by putting a round sponge in the middle of the fabric and spraying the ink around it.

the bottom layer is canvas painted with black gesso and a piece of silk chiffon painted onto the canvas with more diluted black gesso. each panel is stitched on the foundation canvas/silk layer.

the 'sticks' are pieces of cotton mariner's string soaked in a mixture of paverpol, fibre paste, black pigment powder and fabric paint.

THE STATE WE'RE IN!

I am beginning to wonder why, as soon as I join something, everyone starts leaving! I hope that the group is not going to fail through lack of members.

I can post my 'work in progress' in the next day or so when it is more presentable as that appears to be an option.

When will we be getting the next Challenge as things are building up for me too?

Through the Window (in the Burren)

Through the Window (Burren inspired)

I got the binding put on this piece last night, but by then it was a bit dark to get a good photograph of my piece, so had to wait for daylight this morning to get the photo.

A contemporary quilting group I'm involved with (Genesis Patchwork) are currently working on a group project about the Burren. The Burren in Co. Clare is famous for it's limestone rock, rare plants, archaeological ruins etc.

So I decided to use my "Through the Window" piece as a sample piece for my Burren project. I have a number of photographs of old church windows and ruins so I took 2 of this photo's and turned them into a thermofax screen. Then I screen-printed the windows onto hand-dyed fabric.

I then used my embellisher machine to add scrim, sari ribbon etc. to add a bit more texture and interest.  I got a pack of Derwent Inktense pencils in the post this week so decided to experiment with them on this piece as well. A stencil was used with the pencils to add the lettering.

This photo of a window in Carron Church was used to make one of the thermofax screens.

Carron Church

Through The Abbey Window - better photo...

...this is a photo taken in daylight.  The jug and glasses show up much better now.

I forgot to mention on my previous post that the shadows on the sill and the arch above and around the window were created by using a grey Markal paint stick.

Goodbye and Thank You

After a restless night cogitating, I've decided to withdraw from this group. It's been incredibly useful to get my creative juices going again but now with lots of ideas generated and very limited time thanks to end of year deadlines at work I want to concentrate on working on 2 large pieces to submit for juried exhibitions next year.
With these and my CQ button journal quilts still to do  not to mention my sketchbook to fill I  shouldn't really have offered to help with admin so I apologise for that.  But it looks like you've got other offers  so I'll still be watching what you all get up to with interest.
Mags

Sorry I'm very late

I'm not in a position to post anything yet, as I'm running extremely late.  As you may well recall, I had a hip replacement operation early in October and, while recovery is going very well, it is taking much longer than I thought and sitting comfortably has only recently become possible.  I have also been exhausted by the process of building up my mobility, so not the best of times to be creative and inspired.  I finally have had an idea of what I want to do but materials, whilst procured, are still on their way to me.  I will post as soon as possible but hope you will, on this occasion, forgive me for my tardiness.  I also dare not yet look too much at the other submissions, but well done, all of you who have managed to meet the deadline, and commiserations to those still on the journey.

Through The Abbey Window

I made it!

Although the photo isn't great.  It's the best I could do in artificial light so I will take another tomorrow in daylight.

Those of you who know me know that I love making art quilts from photos and this one is made from three photos taken on our holiday in and around Bath.

I loved the brickwork on the sides of the one on the left, which is reproduced here with the aid of fusible web and nice sharp scissors!

The garden outside is a photo printed onto silk then hand embroidered.

The lead on the window is machine embroidered.

If you look closely you can see a jug and a couple of glasses on the sill which are taken from the other window and reproduced here with two layers of gold organza with wadding behind to give depth.

Again these might be more noticeable in the daylight.

So I made the deadline...just!  

I'm looking forward to the next one now... 

Done!

Having already done a Through the Window piece for the last challenge, I felt I needed to do something deifferent for this one - and what a journey it has been.  I started from a book I'd been reading, Ruth First's 117 Days, in which she describes her period of solitary confinement (without trial) under the 90-day rule during the apartheid era in South Africa.  It's a powerful description and the mark one piece was almost a sort of illustration of the desciption of her cell in the book.  As I made the piece. I began to reflect on all the other ways in which people may be solitary and confined - for example through ill health, depression, domestic abuse, political oppression, bullying or simply being housebound..  By yesterday night I had not resolved the two ideas and I was dissatisfied with what the quilt had become, but I went to bed thinking I would at least get it finished and off my conscience.

At 4 a.m. I woke with the idea of this piece fully formed, jotted down a few notes and luckily got back to sleep.  Today has been a rush to get it finished - but at least that has made me keep it simple.  All that remains from the orifinal piece is the barred cell window, and I apologise for the fact that the view is not through the window  but this side of the barred window.  Though it's a bit wobbly and rough round the edges I don't find that a problem on this occasion, as it seems to suit the subject-matter.

It is open to a number of interpretations - feel free to ask your own questions and provide your own answers...

Next time I'll start earlier!

Wisteria

My original plan was to make something inspired by the photos I took through the stained glass windows in our house (see my previous post). I was thinking of layering various sheers and painted fabrics. So I did lots of painting with transfer paints - tortuous, abstract, twisted tree trunks, that sort of thing - then after a bit I just started playing with the leftover paint. I made this map-like design by trickling paint over the page and causing it to run into the other lines, a bit like a roadmap.

I thought I would use this design as a sort of abstract stained glass window to layer over the rest, so I ironed it on to lutradur and cut out the white bits. I layered this frame design over the various sheers and painted fabrics; that didn't look right but I felt more of a connection to this lutradur design than to any of the other fabrics I had prepared.

After lots of auditioning fabrics and layers, I found this Indian sari fabric which looked good. Then I started thinking that instead of stained glass windows it would represent the bare wisteria branches growing outside our bedroom window that I have been staring at for years. So it evolved into that. I quilted it along the horizontal wavy lines and some of the vertical branches, and decided to couch some decorative threads to add depth and dimension and bring some of the branches forward a bit.

Then I framed it with these sheer ribbons to look like the window frame.

Added accent beads and it was done! I am pleased with how it has turned out although it changed into a piece different from what I was planning in the beginning!

Rose Window

Here is my take on "Through the Window" As light comes through a window I decided on a Rose window. It is stitched as a reverse Applique. I drew the window pattern on black fabric and each element  was cut and needle-turned with the black being stitched to the "glass" fabric which was behind the black.

Through the Window - Shinkansen

 Ever since  my first digital camera , I've been taking photos from trains at speed - I love the blurring. I've made a few journal quilts and one experimental piece  but have always wanted to scale up - this challenge gave me an opportunity to start  down that road (or should that be rail?!!!!)

 In 2006 I travelled with Susan Briscoe to Yuza-machi  in Japan   and took lots of photos from the Shinkansen train from Tokyo to Yamagata. The  green of rice paddies, the purplish grey roofs , the mountains and the coast were so different from the train photos I'd taken in the UK

 Techniques and materials used? Photos  were printed on colour catchers treated with 'Ink Aid' . I used Photoshop to increase saturation slightly but that's all -the blurring is as captured by camera. These were applied to a section of lightweight fabric from a secondhand kimono bought for Pojagi in Tokyo.

A silk organza scarf with woven lines was laid over the top and attached with twin needle stitching. Interesting difference  between the raised ridges produced  when stitched through 1 layer of kimono and the flatter ones where stitching through both kimono and colour catcher. I really should have stabilised the kimono fabric first but I actually like the effect!
I'd like to produce an even bigger piece next perhaps  inspired by the paintings of Atsuhide Ito although quite how I'd photograph it and display it....

Can't wait to see other peoples interpretation.

Through The Window

As happened last time I am not going to be near a computer for the reveal so I am scheduling this for publication and hope it works.  I am really sorry not to be here for today but I am hoping to get hold of a computer over the next day or so to see what everyone has done.

As I said in my earlier post I was becoming fascinated with the quality of light that comes through a stained glass window and I particularly became fascinated with the cut through process that I had been playing with.  After I had made a pice 10" square for my Journal Quilt I have gone on to make an A3 sized piece for this challenge.  It is not the only piece I have made, more of that in a minute.

As you can see I didn't actually take this particular technique any further, mostly because I didn't have the time but I may well play with it some more when time allows.

I said in my previous post that I wanted to experiment with sheers and I have had a great time doing just that.  I took a selection of neutral organzas, silks and nylon sheers and used fabric paints tostamp and make monoprints on their surfaces.  I kept the monoprints neutral in tones of grey and was a bit worried at first that they might be too light to show up.  Sadly I was so busy working I didn't take any photos of the process.

The next step was to use silk paints to add colour to the pieces of fabric.  I decided on silk paint as I didn't have a lot of time, again.  Once the fabrics were all prepared I started to cut and piece them using a pojagi style of seam.  This is the result:

The photograph above was taken indoors with the piece laying on the top of my sewing table.  It is very slightly smaller than A3 size.  I then took further photographs outside.

After photographing the piece hanging from our driftwood I couldn't resist hanging the 'window' in the lilac tree where the sun was shining through this morning.

I have made a lot of mistakes with the stitching in this technique and a certain amount of drifting has occurred but I am so delighted with the way this has turned out.  The surface marks are really exciting me and I am really happy with my interpretation of 'Through The Window'.  I am quite tempted though to leave it out in the garden to let the sun shine through and see how it ages.  You may also have noticed that this isn't really a quilt as it is only one layer.  Tant pis! (As the French would say).  Actually a couple of the pieces do consist of two layers as I felt the sheer was too fine.

I shall look forward to seeing everyone else's interpretations and to the next challenge!

More admin to please read

We seem to be in a bit of an administrative black hole in that we either have an admin who makes decisions or we have nobody who can make definitive statements.  What should we do?  Suggestions on an urgent comment, please!!!  Do we need a new deadline for our second assignment, as there are now three of us at least needing an extension - and Christmas is a-coming.

Jenny, we are working through the group alphabetically now for setting challenges, after Annabel started off as group originator, and then it was our Angela.  So, the next one due is Claire Lynch, who needs to get her thinking cap on....!

My own suggestion is that we have a primary admin with a second in command who can step in when they are not available for whatever reason.

As for Challenge number 2, when is a reasonable time to complete or post as is and then post later when complete?  Or should we stick to the original date, post as incomplete and then again whenever it is finished, so as not to hold up everyone else?

I'd also suggest that the next challenge date is towards the end of February, to give us enough time for the festivities.  Any other suggestions?

My Apologies ; Admin, Please Read

I've been a lousy group administrator, and I'm about to get worse. I have been very quiet, and those of you who know me will know that that is never a good sign. Life is busy happening, despite my plans; at the end of the year, my lovely husband will be without a job. This was not completely unexpected, but it does mean that I have a great deal to do to prepare for a possible move. I'm therefore adding insult to injury by withdrawing from this group. It's important for me to focus on generating at least a little income, as well as everything else. I'm really, really sorry to let everyone down; I clearly didn't know this was going to happen when I offered to help Annabel, which turned into taking over the admin altogether.

This means, of course, that you need another administrator...preferably one who knows how to work with Blogger. We need a volunteer...or volunteers. There's actually no reason why a number of people couldn't split the task up between them, making it perhaps easier to handle.

Once again, my profound apologies. Those of you who know me from AQL know that I don't give in easily, but on this occasion I have no choice. Best of luck to you all in continuing with this challenge.

Now What?

Well I've treated my colour catchers with Ink aid , printed them with images taken at speed from Japanese train, attached  a 4 x 3 grid of them to some vintage kimono fabric and placed a layer of silk organza scarf over the top (love those lines!). I've stitched the lot together with twin needle which as I haven't used a backing fabric (whoops) has caused raised 'tramlines'.
However you could say I've become de-railed as I don't know how to finish of the edges. should have thought that through to start with of course.....